Sun Im peint à l’huile des corps hu

Sun Im peint à l’huile des corps humains de façon non figurative.
Elle préfère exprimer par le biais d’une ligne continue les émotions qui régissent le corps. Une ligne unique, fluide, représente dans un jeu de courbes et de contre-courbes la vie intérieure d’un personnage, son subconscient manifesté par un buste esquissé, une tête, des bras, des jambes, des pieds à peine reconnaissables.
L’artiste Sud-Coréenne voyage à travers cette ligne principale souvent centrée au cœur de sa composition. Il s’agit pour elle d’un « pèlerinage », d’une sorte de voyage chamanique, d’une lecture scannée d’un corps humain. Son pèlerinage se nourrit d’abstractions libres, de motifs décoratifs, de couleurs, de symboles. La ligne est sinueuse, capricieuse, fluide et musicale. Des nœuds expriment parfois les rythmes et les tensions. Les couleurs confèrent une harmonie, une impression de douceur, presque de mélancolie.
Sun Im s’inspire non seulement des motifs de la peinture coréenne folklorique, de ses racines spirituelles, mais aussi de la cosmologie taoïste du Yin et du Yang. L’hiver-yin qui s’oppose à l’été-yang réunis en un seul et même mouvement. Sun Im puise dans cette phénoménologie du yin et le yang, l’essence et la raison d’être de sa peinture. Elle rend compte par ces couples d’opposition de forces du mystère du corps humain, de son incarnation.

Results (English) 1:

Sun Im painted oil of human bodies in non-figurative way.She prefers to express the emotions that govern the body through a continuous line. A line single, fluid, represents a set of curves and reverse curves in the inner life of a character, his subconscious by a sketched bust, head, arms, legs, feet barely recognizable.The South Korean artist journey through this main line often centered at the heart of its composition. It is for her to a "pilgrimage", a kind of shamanic journey, from a scanned reading of a human body. His pilgrimage feeds free abstractions, decorative motifs, colors, symbols. The line is sinuous, fluid, musical and capricious. Nodes sometimes express the rhythms and tensions. The colors give a harmony, an impression of sweetness, almost of melancholy.Sun Im inspired not only reasons Korean folk painting, its spiritual roots, but also the Taoist yin and Yang cosmology. The winter-yin as opposed to the summer-yang together in a single movement. Sun Im draws in this phenomenology of yin and yang, the essence and the raison d'etre of his painting. It reports by these couples of opposition from forces of the mystery of the human body, his incarnation.

Results (English) 2:

Sun Im oil painting human bodies not figuratively.
She prefers to speak through a continuous line emotions governing body. A single fluid line represents a set of curves and curves against-the inner life of a character, his subconscious shown by a sketched bust, head, arms, legs, feet barely recognizable.
The South Korean artist journey through this main line often centered at the heart of its composition. This is for her a "pilgrimage", a kind of shamanic journey, a scanned reading a human body. His pilgrimage eats free abstractions, decorative motifs, colors and symbols. The line is winding, capricious, fluid and musical. Nodes sometimes express the rhythms and tensions. The colors give a harmony, an impression of sweetness, almost melancholy.
Sun Im inspired not only the reasons for the Korean folk painting, from its spiritual roots, but also Taoist cosmology of Yin and Yang. The winter-yin who opposes the summer-yang combined into a single movement. Im Sun draws from this phenomenology of yin and yang, the essence and purpose of his painting. It reports these couples opposition forces of the mystery of the human body, its incarnation.

Results (English) 3:

Sun Im painted in oil of the human body in a non-figurative.
she preferred to express through a continuous line the emotions that govern the body. A single line, fluid, represented in a set of curves and counter-curves the inner life of a character, his subconscious manifested by a bust sketch, a head, arms, legs, feet barely recognizable.
The artist former Olympian journey through this main line often centered at the heart of its composition. It is a "pilgrimage", of a sort of shamanic journey, of a reading scanned of a human body. His pilgrimage is nourished of abstractions free, of decorative motifs, colors, symbols. The line is winding, capricious, fluid and musical.Nodes sometimes express the rhythms and tensions. The colors give a harmony, an impression of sweetness, almost melancholy.
Sun Im is inspired not only of the reasons of the Korean painting folk, of its spiritual roots, but also of the Taoist cosmology of Yin and Yang. The winter-yin who is opposed to the summer-yang combined in one and the same movement.Sun Im draws in this phenomenology of the yin and the yang, the petrol and the reason for his painting. It makes account by these couples of opposition forces of the mystery of the human body, of his incarnation.